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Chinese_Landscape_Painting

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CN_ShanShui, a close-up detail view of a gentle mountain ridge flowing horizontally. The central subject is a rounded hill top painted with varying shades of light ink. The brushwork features long, dry "hemp-fiber" strokes (Pima cun) layered over wet washes to define the slope's texture. The visible grain of the beige antique paper adds to the historic aesthetic, evoking a mood of tranquility and natural simplicity.
CN_ShanShui, a vertical close-up detail of a layered landscape. The composition is dominated by a bold, dark horizontal band of wet ink that cuts across the middle, separating the faint, pale mountain silhouette above from the textured ground below. The lower section features dense, dark dots representing vegetation or moss on the riverbank. The contrast between the heavy wet wash and the pale background creates a sense of depth and mist.
CN_ShanShui, a view of a misty mountain layer in the distance. The main peak is a soft, triangular wash, while the ridge in front is lined with a row of tiny, vertical strokes representing distant pine trees. The ink is pale and watery, creating a depth-of-field effect where the background dissolves into the textured surface of the fibrous antique paper.
CN_ShanShui, a close-up of a gnarled tree trunk with bare, intricate branches extending upwards. The branches are drawn with dry ink strokes in a "crab-claw" style, devoid of leaves. In strong contrast, the ground below is washed with thick mineral green, representing mossy terrain. Small red berry bushes dot the lower corners.
CN_ShanShui, a complex mix of foliage textures. A large cluster of red blossoms anchors the bottom right. Above it, green branches interweave with the background. The scene is dense, with no clear horizon, focusing entirely on the interplay of leaves, flowers, and the antique silk texture.
CN_ShanShui, a detailed view of the forest floor and terrain. The undulating ground is rendered with broad washes of mineral green, creating a soft, mossy texture. Clusters of small shrubs with bright red berries grow out of the green slope and rock crevices. The brushwork for the bushes is sharp and fine, contrasting with the smooth wash of the ground.
CN_ShanShui, a full-frame texture shot of dense vegetation dominated by rich vermilion pigments. The image is filled with clusters of red foliage (or dense blossoms) depicted with heavy, overlapping dots. In contrast, the background or adjacent leaves are rendered in dark ink and faint green, highlighting the vibrancy of the red. The texture evokes the lushness of autumn or a blooming garden on antique silk.
CN_ShanShui, a transitional scene contrasting seasons. On the left, a tree features bare, antler-like branches. On the right, dense vermilion foliage suggests the peak of autumn. The foreground is filled with green fern-like undergrowth, creating a rich tapestry of textures and colors.
CN_ShanShui, a close-up detail showing the contrast between distinct plant types. On the left, a mass of vermilion flowers is densely packed. On the right, delicate fern-like green leaves extend outward. The background is a warm, sepia-toned silk, grounding the vibrant colors.
CN_ShanShui, a detailed view of the forest floor and terrain. The undulating ground is rendered with broad washes of mineral green, creating a soft, mossy texture. Clusters of small shrubs with bright red berries grow out of the green slope and rock crevices. The brushwork for the bushes is sharp and fine, contrasting with the smooth wash of the ground.
CN_ShanShui, a close-up texture shot of a specific tree type with pinnate, fern-like foliage. Unlike pine needles, the leaves are arranged in flat, comb-like sprays along the branches (resembling fir or yew trees). The dense green canopy is dotted with small vermilion red berries. The background features a textured, brownish-green slope, enhancing the rich organic detail of the scene.
CN_ShanShui, a dense forest texture shot. The upper left features trees with distinct star-shaped (palmate) leaf clusters, while the right side shows darker, denser foliage. The scene is dimly lit, with deep green washes creating a moody atmosphere on the dark silk.
CN_ShanShui, a dominant close-up of a massive, ancient tree trunk. The tree is mostly leafless, featuring twisted, crab-claw style branches outlined in dry ink. It stands on a rolling hill covered in thick mineral green washes, representing mossy ground. The rough texture of the bark contrasts sharply with the smooth, pigmented slopes.
CN_ShanShui, a close-up of a misty valley or ridgeline. The composition features a faint mountain backdrop overlaid with a sequence of small, blurred vertical marks suggesting a distant forest. The ink is applied with a wet brush, allowing the edges to bleed and soften. The coarse, granular texture of the fibrous antique paper adds a tactile quality to the hazy, atmospheric scene.
CN_ShanShui, a close-up texture shot of a specific tree type with pinnate, fern-like foliage. Unlike pine needles, the leaves are arranged in flat, comb-like sprays along the branches (resembling fir or yew trees). The dense green canopy is dotted with small vermilion red berries. The background features a textured, brownish-green slope, enhancing the rich organic detail of the scene.
CN_ShanShui, a close-up texture shot of a specific tree type with pinnate, fern-like foliage. Unlike pine needles, the leaves are arranged in flat, comb-like sprays along the branches (resembling fir or yew trees). The dense green canopy is dotted with small vermilion red berries. The background features a textured, brownish-green slope, enhancing the rich organic detail of the scene.
CN_ShanShui, a close-up texture shot of a specific tree type with pinnate, fern-like foliage. Unlike pine needles, the leaves are arranged in flat, comb-like sprays along the branches (resembling fir or yew trees). The dense green canopy is dotted with small vermilion red berries. The background features a textured, brownish-green slope, enhancing the rich organic detail of the scene.
CN_ShanShui, a close-up detail of the forest floor. A small bush with bright red berries dominates the lower left, growing out of a slope painted with mineral green. Delicate willow-like branches hang from the top. The composition focuses on the rich variety of undergrowth and the texture of the ground.
CN_ShanShui, a close-up detail of landscape rocks rendered in heavy mineral colors. The rocks are shaped with eroded, twisting forms (resembling Taihu rocks) and heavily pigmented with deep mineral blue (azurite) and thick mineral green (malachite). The intense colors contrast with the antique, brownish silk background, creating a jewel-like aesthetic typical of the blue-and-green landscape style.
CN_ShanShui, a close-up texture shot of a specific tree type with pinnate, fern-like foliage. Unlike pine needles, the leaves are arranged in flat, comb-like sprays along the branches (resembling fir or yew trees). The dense green canopy is dotted with small vermilion red berries. The background features a textured, brownish-green slope, enhancing the rich organic detail of the scene.
CN_ShanShui, a landscape view featuring rolling hills and distant peaks. The mountains are painted with broad washes of mineral blue and green, creating a heavy, opaque texture. In the foreground, trees with star-shaped leaves stand on a green slope. The scene conveys the grandeur and solid volume of the mountains.
CN_ShanShui, a close-up of a twisted, curving tree trunk leaning over a landscape. The tree features dense, fern-like foliage painted with sharp, downward-pointing strokes. Below the tree, the ground is highlighted with a patch of thick mineral green wash, representing a mossy bank or grassy slope. The texture of the aged silk is visible through the thinner ink washes of the tree trunk.
CN_ShanShui, a full-frame texture shot of dense tree foliage. The image captures the specific pattern of fir-like leaves, which are arranged in flat, opposing pairs along the branches (pinnate structure). The leaves are outlined in dark ink and filled with muted mineral green. The intersecting branches create a complex, net-like pattern against the antique silk background, with no distinct horizon or ground.
CN_ShanShui, a close-up detail focusing on the interaction between a gnarled tree and a dark rock. The tree trunk is twisted and outlined with dry, jagged ink strokes. The foliage is distinctively pinnate (feather-like), with leaves arranged in flat, comb-like sprays, rendered in dark ink and mineral green. To the left, a large rock mass is shaded with deep ink and mineral green washes, contrasting with the warm, sepia-toned silk background.
CN_ShanShui, a composition emphasizing the vastness of the river. In the bottom left corner, a tiny, solitary fishing boat with a figure floats on the empty space. Above, large pine branches drape down from the top right, framing the scene. The contrast between the heavy, dark pine foliage and the delicate line work of the boat highlights the scale of nature versus man. The fibrous antique paper texture fills the negative space, representing the water.
CN_ShanShui, a close-up of a riverside path. Foreground features include vertical, withered trees with "crab-claw" branches interspersed with darker foliage. Crucially, a faint, rustic wooden fence or railing runs horizontally through the mid-ground, suggesting a boundary or path. The ink is pale and dry, blending with the fibrous antique paper to create a misty, inhabited rural mood.
CN_ShanShui, a structural study of ancient pine trees. The image focuses on the vertical trunks, painted with dry, scaly textures ("flying white") to depict rough bark. The branches twist intricately, supporting clusters of dark pine needles. The composition is dense and vertical, showcasing the strength of the trees against the neutral background of the fibrous antique paper.
CN_ShanShui, a close-up detail of a massive pine branch stretching horizontally across the frame. The vertical strokes, previously mistaken for distant trees, are actually dense clusters of pine needles growing upright from the main limb. The heavy, gnarled branch is painted with dry, textured ink to show the roughness of the bark, contrasting with the wet ink of the foliage. The fibrous antique paper texture emphasizes the stark, powerful silhouette of the pine.
CN_ShanShui, a detailed close-up of a pine branch extending into the frame. The focus is on the rhythm of the pine needles, painted with repetitive, dark ink strokes (dian). The branch structure is angular and distinct. The image highlights the "boneless" application of ink for the foliage, set against the rough, absorbent texture of the fibrous antique paper.
CN_ShanShui, a minimalist depiction of young or withered trees on a sandy slope. The trees are painted with thin, crisp lines, showing "crab-claw" branching patterns. The ground is defined by faint, sweeping horizontal washes. Small, dark accents suggest distant vegetation or rocks. The fibrous antique paper is prominent, emphasizing the sparse and open composition.
CN_ShanShui, a detailed narrative scene within the landscape. The focal point is a rustic thatched pavilion or hut nestled among trees, enclosed by a wooden rail fence. Inside the structure, a scholar figure is visible, suggesting a moment of contemplation or rest. The surrounding vegetation is dense, painted with heavy ink dots, contrasting with the fine lines of the architecture. The coarse texture of the fibrous antique paper adds a historical, lived-in atmosphere to this secluded dwelling.
CN_ShanShui, a complex web of pine branches and foliage. The composition is filled with the interplay of twisted branches and dense layers of dark needles. The ink varies from wet and heavy to dry and scratchy, creating a rich tonal range. The fibrous antique paper background provides a unifying warm tone to the chaotic natural growth.
CN_ShanShui, a vertical close-up detail focusing on a distant mountain peak. A soft, conical mountain top rises clearly above a sweeping dark ink stroke that traverses the image horizontally. The bottom section depicts a riverbank with "rubbing" texture (ca cun) and scattered ink dots. The brushwork creates a harmonious balance between the solid mountain form and the fluid, dark mist band below it.
CN_ShanShui, a detail of a heavy pine canopy. The image is dominated by the mass of dark pine needles, creating a sense of shelter and shade. The branches are thick and sinuous, supporting the weight of the foliage. The brushwork is bold and expressive, capturing the vitality of the ancient tree on the textured fibrous antique paper.
CN_ShanShui, a close-up textural study of a distant mountain surface. The image is abstract, focusing on the faint, diagonal brushstrokes that suggest the geological flow of the rock. The ink is extremely pale and dry, blending with the fibrous antique paper to create a soft, ethereal effect typical of high-distance atmospheric perspective.
CN_ShanShui, a landscape detail showing the transition from a mountain slope to the river. The hillside is textured with soft, diagonal washes. Along the ridge and the water's edge, rows of small, vertical strokes represent distant pine trees. The bottom of the image features faint horizontal lines, suggesting the calm water surface meeting the land. The fibrous antique paper adds a unified, grainy texture.
CN_ShanShui, a view of a mountain peak covered in dense vegetation. The ridge is lined with clusters of dark, vertical strokes representing a pine forest silhouetted against the sky. Below the ridge, curved lines of ink suggest the rounded contours of the hill. The brushwork is wet and blurry, creating a misty atmosphere on the fibrous antique paper.
CN_ShanShui, a minimalist depiction of a mountain ridge. The form is defined by soft, "boneless" washes of pale ink, with darker accents along the spine to suggest vegetation. The image captures the subtle undulations of the terrain. The coarse texture of the fibrous antique paper is clearly visible, interacting with the delicate ink wash.
CN_ShanShui, a composition featuring a distant mountain range rising above a body of water. The mountain face is textured with faint, vertical hemp-fiber strokes. A distinct row of small, dark tree silhouettes lines the base of the mountain where it meets the water. The foreground is vast negative space, representing the misty river. The fibrous antique paper enhances the sense of distance and isolation.
CN_ShanShui, a close-up of a steep, diagonal mountain slope. The terrain is rendered with long, parallel dry-brush strokes running diagonally across the frame. Two distinct, dark conical trees stand on the slope, providing a sense of scale. The ink is pale, highlighting the geological stratification on the textured fibrous antique paper.
CN_ShanShui, a dramatic view of a cliff face descending into the water. The right side features a steep, textured rock face painted with vertical strokes. To the left, the land levels out into a series of horizontal sandbars or ripples in the water. Small, scattered dark dots suggest vegetation along the shoreline. The contrast between the vertical cliff and horizontal water is emphasized by the fibrous antique paper.
CN_ShanShui, a detailed abstract view of a mountain's internal structure. The brushwork is energetic and textured, using a mix of wet washes and dry, scrubbing strokes to depict the rugged rock face. Darker ink patches suggest moss or shadows in the crevices. The image focuses on the tactile quality of the ink and the fibrous antique paper.
CN_ShanShui, a high-magnification detail of the "hemp-fiber stroke" technique. The image is filled with long, wavy, parallel lines of pale ink that mimic the texture of eroded soil or rock. Darker accents are applied at the top edge. The focus is entirely on the calligraphic movement of the brush on the rough surface of the fibrous antique paper.
CN_ShanShui, a vertical close-up detail of a large, pale mountain slope. The massive, rounded hill takes up most of the frame, rendered in extremely faint ink wash with two tiny, distinct dark accents on its surface. In the lower right corner, a row of small, upright pine trees is painted with precise, dark strokes, standing in contrast to the soft background. The scene conveys a vast sense of scale and tranquility.
CN_ShanShui, a scene at the water's edge. The bottom section features dark, horizontal strokes representing the river bank and possibly reflections or ripples. Above this, vertical dry strokes suggest reeds or grass growing along the shore. The background is a wash of pale ink indicating the slope. The fibrous antique paper texture adds to the organic, marshy feel of the landscape.
CN_ShanShui, a detailed scene at the water's edge. The focal point is the gnarled roots of a large pine tree clinging to the rocky bank in the bottom left. The roots are painted with dark, twisted strokes. On the water surface, a flock of small waterfowl is depicted with simple, calligraphic checks, floating peacefully. The background suggests a misty river. The fibrous antique paper texture unites the land and water elements.
CN_ShanShui, a close-up of a pine tree branch extending horizontally over open space. The branch is painted with rugged, scaly textures and supports thick layers of dark, vertical pine needles. The composition emphasizes the dynamic, outward reach of the tree. The background is a plain, textured surface of fibrous antique paper, representing the empty air or water below the branch.
CN_ShanShui, a landscape view focusing on the negative space of a river. In the foreground, the tips of pine branches with dark needles are visible on the left. In the middle distance, a small, solitary rock island floats in the water. The background features faint, rolling hills rendered in pale wash. The vast empty space and the grain of the fibrous antique paper create a sense of expansive calm.
CN_ShanShui, a close-up detail focusing on a small, rounded rock formation in the mid-ground. To the left, clusters of heavy, dark ink strokes depict the dense needles of pine trees, serving as a foreground frame. The rock itself is outlined with soft, pale washes and faint "hemp-fiber strokes", suggesting a smooth, weathered surface. The contrast between the sharp, dark pine foliage and the pale, soft rock is emphasized by the coarse grain of the fibrous antique paper.
CN_ShanShui, a minimalist composition focusing on a solitary fishing boat floating on the open water. The boat is long and narrow, depicted with a few simple, expressive dark strokes. A fisherman wearing a wide-brimmed straw hat sits at the stern. The background features faint, blurred horizontal ink washes that suggest a distant shoreline or marshy bank. The vast negative space and the coarse grain of the fibrous antique paper create a serene, poetic atmosphere of isolation.
CN_ShanShui, a close-up structural study of the mountain's summit. The image focuses on a large, rounded boulder ("alum lump") situated on the peak. The rock is defined by thick, wet ink outlines and textured with internal dry-brush strokes. Surrounding the boulder are layers of softer, sloping earth rendered with diagonal washes. The fibrous antique paper adds a granular quality to the heavy ink application.
CN_ShanShui, a detail of the mountain's mid-section. The slope is covered in long, sweeping "hemp-fiber strokes" running diagonally. A line of small, spiky tree silhouettes climbs the ridge, adding a sense of scale and vertical rhythm. The ink is pale and dry, highlighting the geological stratification on the textured fibrous antique paper.
CN_ShanShui, a steep mountain slope scene. The terrain is depicted with energetic, diagonal brushstrokes that suggest a landslide or eroded earth. A cluster of dark, vertical pine trees stands precariously on the incline. The contrast between the chaotic, loose ground texture and the sharp, defined trees is emphasized by the fibrous antique paper.
CN_ShanShui, a view of the mountain base. In the top left, the dark trunks and foliage of a dense forest are visible. The ground below is a complex web of intersecting "hemp-fiber strokes", creating a sense of rugged, uneven terrain. The ink varies from deep black in the trees to faint gray in the soil, all set against the warm tone of the fibrous antique paper.
CN_ShanShui, a vertical close-up detail of a highly textured, chaotic surface. A distinct vertical seam or paper joint runs down the left side. The subject is an abstract, rugged rock face depicted with entangled, curvilinear dry-brush strokes that swirl around dark ink splotches. The technique uses a mix of "dry rubbing" (ca) and rapid, spontaneous sketching to create a sense of turbulence and motion. The rough paper grain and the visible seam emphasize the artifact's age and raw materiality.
CN_ShanShui, a high-magnification abstract of the "long hemp-fiber stroke" technique. The image is dominated by long, wavy lines of ink that flow downwards, mimicking the texture of hemp fibers. These strokes define the curvature and volume of the mountain. The brushwork is loose and calligraphic, showcasing the interaction between the wet ink and the absorbent fibrous antique paper.
CN_ShanShui, a detail of a forested ridge. The mountain spine is covered with a thick growth of mixed trees, painted with wet, blurry ink dots and dashes. The slope below is textured with softer, parallel washes. The image captures the lush, vegetative cover of the mountain, contrasting with the exposed rock faces on the fibrous antique paper.
CN_ShanShui, a minimalist composition of a sharp mountain ridge. A row of conical, dark trees lines the crest of the hill, marching upwards. The slope itself is rendered with faint, diagonal dry strokes. The simplicity of the forms and the vast negative space highlight the height and isolation of the peak on the fibrous antique paper.
CN_ShanShui, a close-up of a dense pine forest on the mountain slope. The trees are painted with heavy, layered ink, creating a solid dark mass. The horizontal foliage pads are distinct and rhythmic. The background slope is suggested by faint, diagonal washes. The image emphasizes the weight and age of the forest against the lighter fibrous antique paper.
CN_ShanShui, a section of the mountain covered in a mix of deciduous and pine trees. The trees are painted with varying ink tones, creating depth. The trunks are vertical and thin, while the foliage is a blur of dots and washes. The ground is textured with horizontal strokes, suggesting a terraced or leveled area on the slope. The fibrous antique paper texture unites the elements.
CN_ShanShui, a comprehensive view of the upper mountain section. The peak is rounded and topped with "alum lumps". The slopes are covered in long, draping "hemp-fiber strokes". Rows of small trees accentuate the ridges and valleys. The composition shows the monumental scale of the main peak, with the fibrous antique paper adding a sense of historical grandeur.
CN_ShanShui, a vertical close-up detail of a rounded mountain slope. The surface is defined by long, wavy "hemp-fiber" strokes (Pima cun) that follow the curvature of the rock. The technique uses pale, dry ink to create subtle internal texturing without rigid edges. The rough, fibrous texture of the beige antique paper is dominant, interacting with the faint ink to suggest a weathered, ancient surface.
CN_ShanShui, a minimalist detail of undulating mountain ridges. Multiple rounded peaks overlap each other, featuring scattered dark ink dots (moss spots) of varying sizes. The mountains are depicted with soft, scumbling strokes creating a rough, broken texture. The aesthetic is serene and ethereal, with the coarse grain of the paper contributing to a sense of fading memory.
CN_ShanShui, a minimalist detail of undulating mountain ridges. Multiple rounded peaks overlap each other, featuring scattered dark ink dots (moss spots) of varying sizes. The mountains are depicted with soft, scumbling strokes creating a rough, broken texture. The aesthetic is serene and ethereal, with the coarse grain of the paper contributing to a sense of fading memory.
CN_ShanShui, a minimalist detail of undulating mountain ridges. Multiple rounded peaks overlap each other, featuring scattered dark ink dots (moss spots) of varying sizes. The mountains are depicted with soft, scumbling strokes creating a rough, broken texture. The aesthetic is serene and ethereal, with the coarse grain of the paper contributing to a sense of fading memory.
CN_ShanShui, a horizontal close-up detail of a layered landscape featuring a visible vertical paper seam on the left. The composition is arranged in horizontal bands: a faint, dry-brush mountain ridge at the top, and a dense, dark band of trees or vegetation across the center. The central band uses "accumulated ink" with blurry, wet edges to depict a thick forest belt. The texture of the paper is prominent, adding to the weathered, antique atmosphere.
CN_ShanShui, a vertical close-up detail of a rounded mountain slope. The surface is defined by long, wavy "hemp-fiber" strokes (Pima cun) that follow the curvature of the rock. The technique uses pale, dry ink to create subtle internal texturing without rigid edges. The rough, fibrous texture of the beige antique paper is dominant, interacting with the faint ink to suggest a weathered, ancient surface.
CN_ShanShui, a close-up detail of a forested mountain slope. A cluster of dense trees is painted with heavy, dark wet ink, contrasting with the pale ground. The trees are rendered with loose, spontaneous brushwork, rising above diagonal layers of terrain. The composition highlights the balance between the "weight" of the concentrated ink and the "void" of the surrounding space.
CN_ShanShui, a close-up detail of a forested mountain slope. A cluster of dense trees is painted with heavy, dark wet ink, contrasting with the pale ground. The trees are rendered with loose, spontaneous brushwork, rising above diagonal layers of terrain. The composition highlights the balance between the "weight" of the concentrated ink and the "void" of the surrounding space.
CN_ShanShui, a close-up detail of a forested mountain slope. A cluster of dense trees is painted with heavy, dark wet ink, contrasting with the pale ground. The trees are rendered with loose, spontaneous brushwork, rising above diagonal layers of terrain. The composition highlights the balance between the "weight" of the concentrated ink and the "void" of the surrounding space.
CN_ShanShui, a vertical close-up detail of a rounded mountain slope. The surface is defined by long, wavy "hemp-fiber" strokes (Pima cun) that follow the curvature of the rock. The technique uses pale, dry ink to create subtle internal texturing without rigid edges. The rough, fibrous texture of the beige antique paper is dominant, interacting with the faint ink to suggest a weathered, ancient surface.
CN_ShanShui, a minimalist detail of undulating mountain ridges. Multiple rounded peaks overlap each other, featuring scattered dark ink dots (moss spots) of varying sizes. The mountains are depicted with soft, scumbling strokes creating a rough, broken texture. The aesthetic is serene and ethereal, with the coarse grain of the paper contributing to a sense of fading memory.
CN_ShanShui, a minimalist close-up of a mist-shrouded mountain slope. The form is defined primarily by pale, wet ink washes rather than sharp outlines, creating a soft and voluminous appearance. Faint, sweeping textural strokes suggest the direction of the geological strata. The large areas of unpainted paper (negative space) evoke a sense of ethereal emptiness and atmospheric depth.
CN_ShanShui, a minimalist close-up of a mist-shrouded mountain slope. The form is defined primarily by pale, wet ink washes rather than sharp outlines, creating a soft and voluminous appearance. Faint, sweeping textural strokes suggest the direction of the geological strata. The large areas of unpainted paper (negative space) evoke a sense of ethereal emptiness and atmospheric depth.
CN_ShanShui, a close-up detail of a secluded architectural element within the landscape. A rustic wooden structure [bridge/pavilion] is nestled amongst dense, dark forestry, partially obscured by the vegetation. The fine, geometric lines of the architecture contrast with the loose, organic wet ink washes of the surrounding trees. The scene conveys a sense of quiet habitation and the harmonious existence of humanity within nature.
CN_ShanShui, a diagonal close-up detail of a sharp mountain ridge. The spine of the mountain is accentuated by a row of small, vertical dark ink strokes representing distant pine trees climbing the slope. The rock face is textured with soft, wavy "hemp-fiber" strokes (Pima cun) in pale ink. The coarse, fibrous texture of the antique paper interacts with the dry brushwork to suggest eroded, ancient terrain.
CN_ShanShui, a horizontal close-up detail of a mountain ridge. Dark, wet ink washes in the upper left contrast sharply with the pale, dry texture of the slope below. This high-contrast composition defines the separation between the vegetated shaded areas and the sunlit rock face.
CN_ShanShui, a close-up detail of a secluded architectural element within the landscape. A rustic wooden structure [bridge/pavilion] is nestled amongst dense, dark forestry, partially obscured by the vegetation. The fine, geometric lines of the architecture contrast with the loose, organic wet ink washes of the surrounding trees. The scene conveys a sense of quiet habitation and the harmonious existence of humanity within nature.
CN_ShanShui, a diagonal close-up detail of a sharp mountain ridge. The spine of the mountain is accentuated by a row of small, vertical dark ink strokes representing distant pine trees climbing the slope. The rock face is textured with soft, wavy "hemp-fiber" strokes (Pima cun) in pale ink. The coarse, fibrous texture of the antique paper interacts with the dry brushwork to suggest eroded, ancient terrain.
CN_ShanShui, a horizontal close-up detail of a marshy riverbank. The foreground features low-lying grassy terrain and reeds sketched with loose, calligraphic strokes. In the mid-ground, gnarled trees lean over the water, rendered with wet, dark ink that contrasts with the pale wash of the river. The scene conveys a peaceful, inhabited riverside atmosphere on beige antique paper.
CN_ShanShui, a close-up detail of a dense pine forest on a mountain slope. The trees are depicted with heavy, dark ink strokes that define the gnarled trunks and needle clusters. The brushwork creates a rough, broken texture, contrasting the sharp details of the vegetation against the softer, scumbled background. The composition highlights the balance between the "weight" of the concentrated ink and the surrounding void.
CN_ShanShui, a horizontal close-up detail of a marshy riverbank. The foreground features low-lying grassy terrain and reeds sketched with loose, calligraphic strokes. In the mid-ground, gnarled trees lean over the water, rendered with wet, dark ink that contrasts with the pale wash of the river. The scene conveys a peaceful, inhabited riverside atmosphere on beige antique paper.
CN_ShanShui, a horizontal close-up detail of a marshy riverbank,featuring a rustic pavilion structure. The foreground features low-lying grassy terrain and reeds sketched with loose, calligraphic strokes. In the mid-ground, gnarled trees lean over the water, rendered with wet, dark ink that contrasts with the pale wash of the river. The scene conveys a peaceful, inhabited riverside atmosphere on beige antique paper.
CN_ShanShui, a close-up detail of a dense pine forest on a mountain slope. The trees are depicted with heavy, dark ink strokes that define the gnarled trunks and needle clusters. The brushwork creates a rough, broken texture, contrasting the sharp details of the vegetation against the softer, scumbled background. The composition highlights the balance between the "weight" of the concentrated ink and the surrounding void.
CN_ShanShui, a highly abstract close-up detail of a mountain surface texture. The composition is dominated by diagonal, sweeping "hemp-fiber" strokes (Pima cun) running across the beige paper. The ink is applied in pale, dry layers, creating a soft and wavy pattern without distinct object outlines. The coarse, fibrous grain of the antique paper interacts with the faint ink, emphasizing the tactile quality and the "boneless" nature of the brushwork.
CN_ShanShui, a close-up detail of a dense pine forest on a mountain slope. The trees are depicted with heavy, dark ink strokes that define the gnarled trunks and needle clusters. The brushwork creates a rough, broken texture, contrasting the sharp details of the vegetation against the softer, scumbled background. The composition highlights the balance between the "weight" of the concentrated ink and the surrounding void.
CN_ShanShui, a close-up detail of a dense pine forest on a mountain slope. The trees are depicted with heavy, dark ink strokes that define the gnarled trunks and needle clusters. The brushwork creates a rough, broken texture, contrasting the sharp details of the vegetation against the softer, scumbled background. The composition highlights the balance between the "weight" of the concentrated ink and the surrounding void.
CN_ShanShui, a close-up texture study of a mountain slope. The surface is filled with long, diagonal "hemp-fiber" strokes (Pima cun) in pale grey ink. These soft, wavy lines run parallel to each other, defining the geological contours of the hill without sharp edges, showcasing the "boneless" technique.
CN_ShanShui, a close-up detail of a dense pine forest on a mountain slope. The trees are depicted with heavy, dark ink strokes that define the gnarled trunks and needle clusters. The brushwork creates a rough, broken texture, contrasting the sharp details of the vegetation against the softer, scumbled background. The composition highlights the balance between the "weight" of the concentrated ink and the surrounding void.
CN_ShanShui, a vertical close-up detail showing the physical texture of the mounting. A visible vertical seam splits the composition, marking the joint between two sections of the antique paper. To the left, dark ink washes depict dense vegetation; to the right, paler "hemp-fiber" strokes (Pima cun) outline a mountain slope. The image captures the authentic, weathered quality of a historical artifact, emphasizing the fibrous texture and aging of the material.
CN_ShanShui, a close-up detail revealing the physical history of the scroll. A visible vertical seam splits the composition, marking the joint between two sections of antique paper, resulting in uneven brightness and a sharp contrast in tone on either side. One section features textured rock surfaces painted with dark, dry ink, while the adjacent section appears paler and softer. The image captures the authentic, weathered quality of a historical artifact, emphasizing the fibrous texture of the material.
CN_ShanShui, a close-up detail revealing the physical history of the scroll. A visible vertical seam splits the composition, marking the joint between two sections of antique paper, resulting in uneven brightness and a sharp contrast in tone on either side. One section features textured rock surfaces painted with dark, dry ink, while the adjacent section appears paler and softer. The image captures the authentic, weathered quality of a historical artifact, emphasizing the fibrous texture of the material.
CN_ShanShui, a close-up detail revealing the physical history of the scroll. A visible vertical seam splits the composition, marking the joint between two sections of antique paper, resulting in uneven brightness and a sharp contrast in tone on either side. One section features textured rock surfaces painted with dark, dry ink, while the adjacent section appears paler and softer. The image captures the authentic, weathered quality of a historical artifact, emphasizing the fibrous texture of the material.
CN_ShanShui, a faded close-up detail of terrain textures. Horizontal bands of pale ink wash stretch across the frame, suggesting the flow of water or sedimentary rock layers. The contrast is low and the ink appears dim, blending seamlessly with the fibrous antique paper. The aesthetic is extremely subtle, capturing the effects of oxidation and deep antiquity on the scroll.
CN_ShanShui, a faded and low-contrast detail of a distant forest. A cluster of pine trees is barely visible, rendered as faint, ghostly silhouettes against the dim background. The ink washes appear absorbed into the aged paper, creating a monochromatic, brownish-grey atmosphere where forms are softened by time. The coarse grain of the beige antique paper is dominant, conveying a sense of fading memory.
CN_ShanShui, a dim, high-texture close-up of a weathered rock face. The image is low-contrast and oxidized, with dark, dry brushstrokes barely distinguishing themselves from the greyish-beige background. The surface is depicted with rough "rubbing" strokes (ca cun) that suggest erosion. The overall atmosphere is heavy with history, emphasizing the material aging of the artifact over specific landscape details.
CN_ShanShui, a vertical close-up detail of pine tree trunks and roots on a slope. The gnarled trees are outlined with dark, concentrated ink, contrasting with the pale wash of the terrain. The brushwork is calligraphic and loose, capturing the rugged texture of the bark. The composition highlights the interaction between the vegetation and the rocky ground on the beige antique paper.
CN_ShanShui, a detail of a dense forest rendered in wet, dark ink washes. The trees are depicted using the "boneless" (mogu) technique, relying on shapes of ink rather than rigid outlines. The heavy ink blends into the fibrous paper, creating a chaotic yet natural diffusion effect. The atmosphere is misty and dim, focusing on the weight and volume of the vegetation.
CN_ShanShui, a close-up detail of the mountain base. A heavy, horizontal band of dark, wet ink grounds the composition, transitioning upwards into lighter, drier textures. The contrast between the saturated bottom and the fading upper section creates a sense of stability and volume.
CN_ShanShui, a close-up detail of a mountain slope textured with long, wavy "hemp-fiber" strokes (Pima cun). The form is defined by pale, dry ink washes that create soft volumes without sharp outlines. Darker ink dots (moss spots) are scattered across the surface to balance the composition. The rough, fibrous texture of the antique paper is highly visible, enhancing the feeling of antiquity.

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数据集名称

Chinese_Landscape_Painting

数据集简介

这是一份为南京大学智能科学与技术专业大二秋季学期课程人工智能导论课程的项目训练而搭建的数据集。

由于目前较大规模、高质量、且适应现代flux模型的高分辨率的山水画数据集稀缺，故我们搭建了这个数据集，以进行flux模型的lora微调训练。

数据集包含了1017张局部图片，79张全景图片，全部采样自中国山水画的十大名画，并全部带有精细的严格结构化标注。

如果你想使用该数据集进行flux模型训练，可以直接下载并自行修改相应的子文件夹名称以改变每张图片的训练次数。

引用说明

如果您在研究或项目中使用了本数据集，请按以下格式引用：

BibTeX:

@dataset{Chinese_Landscape_Painting,
  author       = {Wei Liangxu},
  title        = {Chinese_Landscape_Painting},
  year         = {2025},
  publisher    = {Hugging Face},
  howpublished = {\url{[https://huggingface.co/datasets/AmazarashiEndure/Chinese_Landscape_Painting](https://huggingface.co/datasets/AmazarashiEndure/Chinese_Landscape_Painting)}},
}

Downloads last month: 8

Size of downloaded dataset files:

450 kB

Size of the auto-converted Parquet files:

2.44 MB

Number of rows:

1,098

Models trained or fine-tuned on AmazarashiEndure/Chinese_Landscape_Painting

AmazarashiEndure/Chinese_Landscape_Painting_Generating_Lora_Model_based_on_flux.1

Text-to-Image • Updated 3 days ago • 1